After placing her career on hiatus, Lopez released her fourth studio album, Rebirth, in February 2005. According to Lopez, Rebirth "came about because I was on such a roller-coaster ride, that was my career from my first album to my last album, and I did a bunch of movie projects in between. I finally took some time just for myself, and [when] I came back, this was the first project I did. I felt like it was a new beginning for me, like I was, in a way, reborn." Tracy Hopkins of NBC's Today Music noted that after "fawning" over Affleck on This Is Me... Then", Lopez "wisely keeps her love life out of the spotlight" on Rebirth and only references her relationship with singer/actor Marc Anthony on a few tracks. The album produced the single "Get Right", which peaked at number one in the United Kingdom. In May, she starred alongside Jane Fonda in the romantic comedy Monster-in-Law, for which she received a salary of $15 million. The film's marketing played up Lopez's "Gigli-and-tabloid tarnished image", and it became a box office success. In August, Lopez starred alongside Robert Redford and Morgan Freeman in An Unfinished Life, a drama film based on the novel of the same name.
In August 2003, Lopez starred opposite Affleck in the romantic comedy Gigli. The film was a box office bomb, and is considered one of the worst films of all time. The film's poor reception was attributed to negative press preceding its release, as well as the media attention surrounding Lopez and Affleck's engagement which largely overshadowed the film. Lopez would later describe this as the lowest point of her career, saying "[It] was very tough", "the tabloid press had just come into existence at the time, so I was like a poster child for that moment." In October of that year, she released her next fragrance, Still Jennifer Lopez. Lopez also launched her next fashion label, Sweetface. It was described by Andy Hilfiger as a "more intellectual, more inspirational collection than J-Lo by Jennifer Lopez. Less sporty, more suede." Lopez's clothing lines and two fragrances generated over $300 million in revenue throughout 2004, which made her the 19th richest person under 40.
More InfoJennifer Lynn Lopez was born on July 24, 1969, in The Bronx borough of New York City, to Puerto Rican parents Guadalupe Rodríguez and David López. She has an older sister, Leslie, and a younger sister, Lynda, a journalist. David worked the night shift at the Guardian Insurance Company before becoming a computer technician at the firm, while Guadalupe was a homemaker. When Lopez was born, the family was living in a small apartment in the Castle Hill neighborhood. A few years later, her parents had saved up enough money to be able to purchase a two-story house, which was considered a big deal for the relatively poor family. At the age of five, Lopez began taking singing and dancing lessons. She toured New York with her school when she was seven years old. Her parents stressed the importance of work ethic and being able to speak English. They encouraged their three daughters to put on performances at home—singing and dancing in front of each other and their friends so that they would stay "out of trouble". Lopez spent her entire academic career in Catholic schools, finishing at Preston High School. In school, Lopez did gymnastics, ran track on a national level, and was a member of the school's softball team. She excelled athletically rather than academically, competing in national track championships.
More InfoJennifer Lynn Lopez was born on July 24, 1969, in The Bronx borough of New York City, to Puerto Rican parents Guadalupe Rodríguez and David López. She has an older sister, Leslie, and a younger sister, Lynda, a journalist. David worked the night shift at the Guardian Insurance Company before becoming a computer technician at the firm, while Guadalupe was a homemaker. When Lopez was born, the family was living in a small apartment in the Castle Hill neighborhood. A few years later, her parents had saved up enough money to be able to purchase a two-story house, which was considered a big deal for the relatively poor family. At the age of five, Lopez began taking singing and dancing lessons. She toured New York with her school when she was seven years old. Her parents stressed the importance of work ethic and being able to speak English. They encouraged their three daughters to put on performances at home—singing and dancing in front of each other and their friends so that they would stay "out of trouble". Lopez spent her entire academic career in Catholic schools, finishing at Preston High School. In school, Lopez did gymnastics, ran track on a national level, and was a member of the school's softball team. She excelled athletically rather than academically, competing in national track championships.
More InfoThe visual effects were by Moving Picture Company, Method Studios, Mr. X, Weta Digital, Brainstorm Digital, and Capital T, and supervised by Allen Maris, Christopher Downs, Guillaume Rocheron, Ryan Tudhope, Aidan Fraser, Olaf Wendt, Anders Langlands, Eran Dinur, Jamie Hallett, and Territory Studio. Max Richter composed the film's score, with Lorne Balfe later writing additional music. James Gray consulted with experimental film scholars Gregory Zinman and Leo Goldsmith for inspiration on the visuals.
More InfoVariety critic Owen Gleiberman praised Pitt's performance, explaining, "Gray proves beyond measure that he's got the chops to make a movie like this. He also has a vision, of sorts — one that's expressed, nearly inadvertently, in the metaphor of that space antenna." Peter Travers of Rolling Stone rated the film four out of five stars and referred to it as "absolutely enthralling" and praised Gray for his direction and his unique approach to the science fiction genre, as well as the cinematography and Pitt's performance (whom he referred to as "marvel of nuanced feeling"). He also drew comparisons of the film's tone and themes to other notable films set in space, particularly 2001: A Space Odyssey (1968), Solaris (1972), Gravity (2013), and Interstellar (2014). Critic Kurt Loder praised the visual effects but criticized the lack of originality and the patchwork style of the script. Adam Graham writing for The Detroit News found problems with the film, giving it a "C" rating: "This is slow, obtuse filmmaking with little emotional connection."
More InfoWe don't show ads. Help us keep it that way.