Sylvester Stallone

When did sylvester Stallone first see Muhammad Ali fight?

Stallone gained worldwide fame with his starring role in the smash hit Rocky (1976). On March 24, 1975, Stallone saw the Muhammad Ali–Chuck Wepner fight. That night Stallone went home, and after three days and 20 straight hours, he had written the script, but Stallone subsequently denied that Wepner provided any inspiration for it. Other possible inspirations for the film may have included Rocky Graziano's autobiography Somebody Up There Likes Me, and the movie of the same name. Wepner filed a lawsuit which was eventually settled with Stallone for an undisclosed amount. Stallone attempted to sell the script to multiple studios, with the intention of playing the lead role himself. Irwin Winkler and Robert Chartoff became interested and offered Stallone US$350,000 for the rights, but had their own casting ideas for the lead role, including Robert Redford and Burt Reynolds. Stallone refused to sell unless he played the lead character and eventually, after a substantial budget cut to compromise, it was agreed he could be the star.


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  • Eastwood is an audiophile and owns an extensive collection of LPs which he plays on a Rockport turntable. He has had a strong passion for music all his life, particularly jazz and country and western music. He dabbled in music early on by developing as a boogie-woogie pianist and had originally intended to pursue a career in music by studying for a music theory degree after graduating from high school. In late 1959 he produced the album Cowboy Favorites, released on the Cameo label, which included some classics such as Bob Wills's "San Antonio Rose" and Cole Porter's "Don't Fence Me In". Despite his attempts to plug the album by going on a tour, it never reached the Billboard Hot 100. In 1963, Cameo producer Kal Mann told him that "he would never make it big as a singer". Nevertheless, during the off season of filming Rawhide, Eastwood and Paul Brinegar – sometimes joined by Sheb Wooley – toured rodeos, state fairs, and festivals. In 1962, their act, entitled Amusement Business Cavalcade of Fairs, earned them as much as $15,000 a performance. Eastwood has his own Warner Bros. Records-distributed imprint, Malpaso Records, as part of his deal with Warner Brothers. This deal was unchanged when Warner Music Group was sold by Time Warner to private investors. Malpaso Records, which has released all of the scores of Eastwood's films from The Bridges of Madison County onward, has also released the album of a 1996 jazz concert he hosted, titled Eastwood after Hours – Live at Carnegie Hall.

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  • Stallone happened to be acting in a play that a friend invited him to partake in, and an agent in attendance thought that Stallone fit the role of Stanley, a main character in The Lords of Flatbush, which had a start-stop schedule from 1972 to 1974 over budget issues. Stallone, around mid-1973, achieved his first proper starring role, in the independent film No Place to Hide, playing a man who is associated with a New York-based urban terrorist movement, with a jewellery-seller as his love interest. The film was re-cut and retitled Rebel years later, this second version featuring Stallone as its star. After the style of Woody Allen's What's Up, Tiger Lily?, this film, in 1990, was re-edited from outtakes from the original movie and newly shot matching footage, then redubbed into an award-winning parody of itself titled A Man Called... Rainbo.

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  • Eastwood has contributed to over 50 films over his career as actor, director, producer, and composer. He has acted in several television series, including his co-starring role in Rawhide. He started directing in 1971, and made his debut as a producer in 1982, with Firefox, though he had been functioning as uncredited producer on all of his Malpaso Company films since Hang 'Em High in 1968. Eastwood also has contributed music to his films, either through performing, writing, or composing. He has mainly starred in western, action, and drama films. According to the box office–revenue tracking website Box Office Mojo, films featuring Eastwood have grossed a total of more than $1.81 billion domestically, with an average of $38.6 million per film.

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  • From the very early days of his career Eastwood was frustrated by directors' insistence that scenes be re-shot multiple times and perfected, and when he began directing in 1970, he made a conscious attempt to avoid any aspects of directing he had been indifferent to as an actor. As a result, Eastwood is renowned for his efficient film directing and ability to reduce filming time and control budgets. He usually avoids actors' rehearsing and prefers to complete most scenes on the first take. Eastwood's rapid filmmaking practices have been compared to those of Woody Allen, Ingmar Bergman, Jean-Luc Godard, and the Coen brothers. When acting in others' films he sometimes takes over directing, such as for The Outlaw Josey Wales, if he believes production is too slow. In preparation for filming Eastwood rarely uses storyboards for developing the layout of a shooting schedule. He also attempts to reduce script background details on characters to allow the audience to become more involved in the film, considering their imagination a requirement for a film that connects with viewers. Eastwood has indicated that he lays out a film's plot to provide the audience with necessary details, but not "so much that it insults their intelligence."

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  • While Stallone was a student in Leysin, Switzerland, he had a brief uncredited role as a restaurant customer, in the sports drama, Downhill Racer (1969). He can be seen sitting at a table, near to stars Robert Redford and Camilla Sparv. Stallone had his first starring role in the softcore pornography feature film The Party at Kitty and Stud's (1970). He was paid US$200 for two days' work. Stallone later explained that he had done the film out of desperation after being evicted from his apartment and finding himself homeless for several days. He has also said that he slept three weeks in the Port Authority Bus Terminal in New York City prior to seeing a casting notice for the film. In the actor's words, "it was either do that movie or rob someone, because I was at the end – the very end – of my rope". The film was released several years later as Italian Stallion, in order to cash in on Stallone's newfound fame (the new title was taken from Stallone's nickname since Rocky). Stallone also starred in the erotic Off-Broadway stage play Score which ran for 23 performances at the Martinique Theatre from October 28 to November 15, 1971, and was later made into the 1974 film Score by Radley Metzger.

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