Keanu Reeves

What film did Keanu Reeves starred in 1999?

Prolific in film since 1984, Reeves' most acclaimed and highest-grossing films, according to the review aggregate site Rotten Tomatoes, include: River's Edge (1987), Bill and Ted's Excellent Adventure (1989), My Own Private Idaho (1991), Much Ado About Nothing (1993), Speed (1994), The Matrix (1999), John Wick (2014), John Wick: Chapter 2 (2017), John Wick: Chapter 3 – Parabellum (2019), and Toy Story 4 (2019). Reeves' has won three MTV Movie Awards, and received two Best Actor nominations at the Saturn Awards. He was nominated twice for a People's Choice Award: Favorite Male Movie Star and Favorite Action Movie Star, for his performance in John Wick: Chapter 3 – Parabellum (2019).


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  • By 2002, his professional music career had come to an end when Dogstar disbanded. The band had released two albums during their decade together; Our Little Visionary in 1996 and Happy Ending in 2000. Sometime afterwards, Reeves performed in the band Becky for a year, founded by Dogstar band-mate Rob Mailhouse, but quit in 2005, citing a lack of interest in a serious music career. After being absent from the screen in 2002, Reeves returned to The Matrix sequels in 2003 with The Matrix Reloaded and The Matrix Revolutions, released in May and November, respectively. Principal photography for both films was completed back-to-back, primarily at Fox Studios in Australia. The Matrix Reloaded garnered mostly favourable reviews; John Powers of LA Weekly praised the "dazzling pyrotechnics" but was critical of certain machine-like action scenes. Of Reeves' acting, Powers thought it was somewhat "wooden" but felt he has the ability to "exude a charmed aura". Andrew Walker, writing for London Evening Standard, praised the cinematography ("visually it gives full value as a virtuoso workout for your senses") but he was less taken by the film's "dime-store philosophy". The film grossed $739 million worldwide.

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  • Rebecca Miller's The Private Lives of Pippa Lee was Reeves' sole release of 2009, which premiered at the 59th Berlin International Film Festival. The romantic comedy and its ensemble received an amicable review from The Telegraph's David Gritten; "Miller's film is a triumph. Uniformly well acted, it boasts a psychologically knowing script, clearly written by a smart, assertive human". In 2010, he starred in another romantic comedy, Henry's Crime, about a man who is released from prison for a crime he did not commit, but then targets the same bank with his former cellmate. The film was not a box office hit. Reeves' only work in 2011 was an adult picture book titled Ode to Happiness, which he wrote, complemented by Alexandra Grant's illustrations. Reeves co-produced and appeared in a 2012 documentary, Side by Side. He interviewed filmmakers including James Cameron, Martin Scorsese, and Christopher Nolan; the feature investigated digital and photochemical film creation. Next, Reeves starred in Generation Um... (2012), an independent drama which was critically panned.

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  • Reeves is discreet about his spiritual beliefs, saying that it is something "personal and private". In 1997, he expressed a belief in God and the Devil, but said "they don't have to have pitchforks and a long white beard". He has said that he has a lot of interest and respect for Buddhism, but has not "taken refuge in the dharma". When asked if he was a spiritual person, he said that he believes "in God, faith, inner faith, the self, passion, and things" and that he is "very spiritual" and "supremely bountiful". When asked by Stephen Colbert about his views on what happens after death, Reeves replied, "I know that the ones who love us will miss us".

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  • In 2013, Reeves starred in his own directorial debut, the martial arts film Man of Tai Chi. The film has multilingual dialogue and follows a young man drawn to an underground fight club, partially inspired by the life of Reeves' friend Tiger Chen. Principal photography took place in China and in Hong Kong. Reeves was also assisted by Yuen Woo-ping, the fight choreographer of The Matrix films. Man of Tai Chi premiered at the Beijing Film Festival and the Cannes Film Festival, and received praise from director John Woo. A wider, warm response followed suit; Bilge Ebiri of Vulture thought the fight sequences were "beautifully assembled", and Reeves showed restraint with the film editing to present the fighters' motion sequences. The Los Angeles Times wrote, "The brutally efficient shooting style Reeves employs to film master choreographer Yuen Woo-ping's breathtaking fights ... is refreshingly grounded and old-school kinetic", while Dave McGinn of The Globe and Mail called the film "ambitious but generic". At the box office, Man of Tai Chi was a commercial disappointment, grossing only $5.5 million worldwide from a budget of $25 million. Also in 2013, Reeves played Kai in the 3D fantasy 47 Ronin, a Japanese fable about a group of rogue samurai. The film premiered in Japan but failed to gain traction with audiences. Initial reviews were not positive, causing Universal Pictures to reduce advertising spending for the film elsewhere. 47 Ronin was a box office flop and was mostly poorly received.

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  • In 2017, Reeves agreed to reprise his role for a sequel in the John Wick franchise, John Wick: Chapter 2. The story carries on from the first film and follows John Wick as he goes on the run when a bounty is placed on him. The film was a critical and commercial success, grossing $171.5 million worldwide, more than its predecessor. Chris Hewitt of Empire magazine praised Reeves' performance, which complimented nicely with his previous action roles (Point Break and Speed). However, Justin Chang of the Los Angeles Times described the picture as "a down-and-dirty B-picture with a lustrous A-picture soul". Besides to this large-scale feature, Reeves starred in a drama, To the Bone, in which he plays a doctor helping a young woman with anorexia. It premiered at the Sundance Film Festival, followed by distribution on Netflix in July. Early reviews were positive, with critics praising its non-glamorized portrayal of anorexia, although the New Statesman reviewer did not think this was enough. 2017 also saw Reeves make cameo appearances in the films A Happening of Monumental Proportions and SPF-18.

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