Jennifer Lynn Lopez was born on July 24, 1969, in The Bronx borough of New York City, to Puerto Rican parents Guadalupe Rodríguez and David López. She has an older sister, Leslie, and a younger sister, Lynda, a journalist. David worked the night shift at the Guardian Insurance Company before becoming a computer technician at the firm, while Guadalupe was a homemaker. When Lopez was born, the family was living in a small apartment in the Castle Hill neighborhood. A few years later, her parents had saved up enough money to be able to purchase a two-story house, which was considered a big deal for the relatively poor family. At the age of five, Lopez began taking singing and dancing lessons. She toured New York with her school when she was seven years old. Her parents stressed the importance of work ethic and being able to speak English. They encouraged their three daughters to put on performances at home—singing and dancing in front of each other and their friends so that they would stay "out of trouble". Lopez spent her entire academic career in Catholic schools, finishing at Preston High School. In school, Lopez did gymnastics, ran track on a national level, and was a member of the school's softball team. She excelled athletically rather than academically, competing in national track championships.
With a cumulative film gross of US$3.1 billion and estimated global sales of 70 million records, Lopez is regarded as the most influential Latin entertainer in the United States. In 2012, Forbes ranked her as the most powerful celebrity in the world, as well as the 38th most powerful woman in the world. Time listed her among the 100 most influential people in the world in 2018. Her most successful singles on the US Billboard Hot 100 include: "If You Had My Love", "I'm Real", "Ain't It Funny", "All I Have", and "On the Floor", the lattermost of which is one of the best-selling singles of all time. For her contributions to the recording industry, Lopez has received a landmark star on the Hollywood Walk of Fame, the Billboard Icon Award, and the Michael Jackson Video Vanguard Award among other honors. Her other ventures include clothing lines, fragrances, the production company Nuyorican Productions, and the nonprofit business Lopez Family Foundation.
More InfoRambo: Last Blood is a 2019 American action film directed by Adrian Grünberg. The screenplay, co-written by Matthew Cirulnick and Sylvester Stallone (from a story by Dan Gordon and Stallone), is based on the character John Rambo created by author David Morrell for his novel First Blood. A sequel to Rambo (2008), it is the fifth installment in the Rambo franchise and co-stars Paz Vega, Sergio Peris-Mencheta, Adriana Barraza, Yvette Monreal, Genie Kim, Joaquín Cosío, and Oscar Jaenada. In the film, Rambo (reprised by Stallone) travels to Mexico to save his adopted daughter, who has been kidnapped by a Mexican cartel and forced into prostitution.
More InfoRambo: Last Blood is a 2019 American action film directed by Adrian Grünberg. The screenplay, co-written by Matthew Cirulnick and Sylvester Stallone (from a story by Dan Gordon and Stallone), is based on the character John Rambo created by author David Morrell for his novel First Blood. A sequel to Rambo (2008), it is the fifth installment in the Rambo franchise and co-stars Paz Vega, Sergio Peris-Mencheta, Adriana Barraza, Yvette Monreal, Genie Kim, Joaquín Cosío, and Oscar Jaenada. In the film, Rambo (reprised by Stallone) travels to Mexico to save his adopted daughter, who has been kidnapped by a Mexican cartel and forced into prostitution.
More InfoRambo: Last Blood is a very emotional story and the music needed to reflect the tone that the director, Adrian Grunberg, set so beautifully. I wrote a series of heartfelt and passionate themes that echo Rambo's yearning for family, justice, requital, and compassion. These ideas created a tonal tension that was both challenging and rewarding as a composer. Lush strings, massive brass, thunderous percussion, delicate piano, and harrowing trumpet duets echoed the themes of loss, regret, hope, and vengeance. It has been an incredible ride composing for this timeless character.
More InfoVariety critic Owen Gleiberman praised Pitt's performance, explaining, "Gray proves beyond measure that he's got the chops to make a movie like this. He also has a vision, of sorts — one that's expressed, nearly inadvertently, in the metaphor of that space antenna." Peter Travers of Rolling Stone rated the film four out of five stars and referred to it as "absolutely enthralling" and praised Gray for his direction and his unique approach to the science fiction genre, as well as the cinematography and Pitt's performance (whom he referred to as "marvel of nuanced feeling"). He also drew comparisons of the film's tone and themes to other notable films set in space, particularly 2001: A Space Odyssey (1968), Solaris (1972), Gravity (2013), and Interstellar (2014). Critic Kurt Loder praised the visual effects but criticized the lack of originality and the patchwork style of the script. Adam Graham writing for The Detroit News found problems with the film, giving it a "C" rating: "This is slow, obtuse filmmaking with little emotional connection."
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