Judy Garland

What was one of Garland's most successful films for MGM?

One of Garland's most successful films for MGM was Meet Me in St. Louis (1944), in which she introduced three standards: "The Trolley Song", "The Boy Next Door", and "Have Yourself a Merry Little Christmas". This was one of the first films in her career that gave her the opportunity to be the attractive leading lady. Vincente Minnelli was assigned to direct, and he requested that make-up artist Dorothy Ponedel be assigned to Garland. Ponedel refined her appearance in several ways, including extending and reshaping her eyebrows, changing her hairline, modifying her lip line and removing her nose discs and dental caps. She appreciated the results so much that Ponedel was written into her contract for all her remaining pictures at MGM.


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  • Garland was initially outfitted in a blonde wig for the part, but Freed and LeRoy decided against it shortly into filming. Her blue gingham dress was chosen for its blurring effect on her figure, which made her look younger. Shooting commenced on October 13, 1938, and it was completed on March 16, 1939, with a final cost of more than US$2 million. With the conclusion of filming, MGM kept Garland busy with promotional tours and the shooting of Babes in Arms (also 1939), directed by Busby Berkeley. She and Rooney were sent on a cross-country promotional tour, culminating in the August 17 New York City premiere at the Capitol Theater, which included a five-show-a-day appearance schedule for the two stars. Garland was put on a diet during filming in a further attempt to minimize her curves.

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  • Her physical appearance was a dilemma for MGM. She was only 4 feet 11.5 inches (151.1 cm), and her "cute" or "girl-next-door" looks did not exemplify the most glamorous persona then required of leading female performers. She was self-conscious and anxious about her appearance. "Judy went to school at Metro with Ava Gardner, Lana Turner, Elizabeth Taylor, real beauties", said Charles Walters, who directed her in a number of films. "Judy was the big money-maker at the time, a big success, but she was the ugly duckling ... I think it had a very damaging effect on her emotionally for a long time. I think it lasted forever, really." Her insecurity was exacerbated by the attitude of studio chief Louis B. Mayer, who referred to her as his "little hunchback".

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  • In 1928, the Gumm Sisters enrolled in a dance school run by Ethel Meglin, proprietress of the Meglin Kiddies dance troupe. They appeared with the troupe at its annual Christmas show. Through the Meglin Kiddies, they made their film debut in a short subject called The Big Revue (1929), where they performed a song-and-dance number called "That's the Good Old Sunny South". This was followed by appearances in two Vitaphone shorts the following year: A Holiday in Storyland (featuring Garland's first on-screen solo) and The Wedding of Jack and Jill. They next appeared together in Bubbles. Their final on-screen appearance was in an MGM Technicolor short entitled La Fiesta de Santa Barbara (1935).

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  • Judy Garland (born Frances Ethel Gumm; June 10, 1922 – June 22, 1969) was an American actress, singer, vaudevillian and dancer. With a career spanning 45 years, she attained international stardom as an actress in both musical and dramatic roles, as a recording artist, and on the concert stage. Renowned for her versatility, she received an Academy Juvenile Award, a Golden Globe Award, a Special Tony Award, and was the first woman to win the Grammy Award for Album of the Year for her 1961 live recording Judy at Carnegie Hall.

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  • Judy Garland (born Frances Ethel Gumm; June 10, 1922 – June 22, 1969) was an American actress, singer, vaudevillian and dancer. With a career spanning 45 years, she attained international stardom as an actress in both musical and dramatic roles, as a recording artist, and on the concert stage. Renowned for her versatility, she received an Academy Juvenile Award, a Golden Globe Award, a Special Tony Award, and was the first woman to win the Grammy Award for Album of the Year for her 1961 live recording Judy at Carnegie Hall.

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