Garland stated that she, Rooney, and other young performers were constantly prescribed amphetamines in order to stay awake and keep up with the frantic pace of making one film after another. They were also given barbiturates to take before going to bed so they could sleep. This regular use of drugs, she said, led to addiction and a life-long struggle. She later resented the hectic schedule and believed MGM stole her youth. Rooney, however, denied their studio was responsible for her addiction: "Judy Garland was never given any drugs by Metro-Goldwyn-Mayer. Mr. Mayer didn't sanction anything for Judy. No one on that lot was responsible for Judy Garland's death. Unfortunately, Judy chose that path."
Garland struggled in her personal life from an early age. The pressures of early stardom affected her physical and mental health from the time she was a teenager; her self-image was influenced by constant criticism from film executives who believed that she was physically unattractive and who manipulated her onscreen physical appearance. Throughout her adulthood she was plagued by alcohol and substance use disorder as well as financial instability, often owing hundreds of thousands of dollars in back taxes. Her lifelong struggle with substance use disorder ultimately led to her death in London from an accidental barbiturate overdose at age 47.
More InfoIn September 1935, Louis B. Mayer asked songwriter Burton Lane to go to the Orpheum Theater in downtown Los Angeles to watch the Garland Sisters' vaudeville act and to report to him. A few days later, Judy and her father were brought for an impromptu audition at Metro-Goldwyn-Mayer Studios in Culver City. Garland performed "Zing! Went the Strings of My Heart" and "Eli, Eli", a Yiddish song written in 1896 and regularly performed in vaudeville. The studio immediately signed Garland to a contract with MGM, presumably without a screen test, though she had made a test for the studio several months earlier. The studio did not know what to do with her; aged thirteen, she was older than the traditional child star, but too young for adult roles.
More InfoJudy Garland (born Frances Ethel Gumm; June 10, 1922 – June 22, 1969) was an American actress, singer, vaudevillian and dancer. With a career spanning 45 years, she attained international stardom as an actress in both musical and dramatic roles, as a recording artist, and on the concert stage. Renowned for her versatility, she received an Academy Juvenile Award, a Golden Globe Award, a Special Tony Award, and was the first woman to win the Grammy Award for Album of the Year for her 1961 live recording Judy at Carnegie Hall.
More InfoGarland began performing in vaudeville as a child with her two older sisters and was later signed to Metro-Goldwyn-Mayer as a teenager. She appeared in more than two dozen films for MGM and is remembered for portraying Dorothy Gale in The Wizard of Oz (1939). Garland was a frequent on-screen partner of both Mickey Rooney and Gene Kelly and regularly collaborated with director and second husband Vincente Minnelli. Other film appearances during this period include roles in Meet Me in St. Louis (1944), The Harvey Girls (1946), Easter Parade (1948), and Summer Stock (1950). Garland was released from MGM in 1950, after 15 years with the studio, amid a series of personal struggles that prevented her from fulfilling the terms of her contract.
More InfoHer physical appearance was a dilemma for MGM. She was only 4 feet 11.5 inches (151.1 cm), and her "cute" or "girl-next-door" looks did not exemplify the most glamorous persona then required of leading female performers. She was self-conscious and anxious about her appearance. "Judy went to school at Metro with Ava Gardner, Lana Turner, Elizabeth Taylor, real beauties", said Charles Walters, who directed her in a number of films. "Judy was the big money-maker at the time, a big success, but she was the ugly duckling ... I think it had a very damaging effect on her emotionally for a long time. I think it lasted forever, really." Her insecurity was exacerbated by the attitude of studio chief Louis B. Mayer, who referred to her as his "little hunchback".
More InfoWe don't show ads. Help us keep it that way.