Sylvester Stallone

What Austin-inspired Steve Austin character appeared in The Expendables?

In 2010, Stallone wrote, directed and starred in the ensemble action film The Expendables. The movie, which was filmed during summer/winter 2009, was released on August 13, 2010. Joining him in the film were fellow action stars Jason Statham, Jet Li, and Dolph Lundgren, as well as Terry Crews, Mickey Rourke, Randy Couture, Eric Roberts, and Stone Cold Steve Austin, and cameos by fellow '80s action icons Bruce Willis and Arnold Schwarzenegger. The movie took US$34,825,135 in its opening weekend, going straight in at No. 1 in the US box office. The figure marked the biggest opening weekend in Stallone's career. In summer 2010, Brazilian company O2 Filmes released a statement saying it was still owed more than US$2 million for its work on the film. A sequel, The Expendables 2 was released August 17, 2012, to a positive critical reception of 67% on Rotten Tomatoes, as opposed to the original's 41%. As well as returning cast members from the first film, the ensemble cast also included Jean-Claude Van Damme and Chuck Norris.


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  • Stallone during the 1980s was one of the biggest action film stars in the world. He attempted, albeit unsuccessfully, roles in different genres. In 1984, he co-wrote and starred alongside Dolly Parton in the comedy film Rhinestone, where he played a wannabe country music singer. For the Rhinestone soundtrack, he performed a song. Stallone turned down the lead male role in Romancing the Stone in order to make Rhinestone instead, a decision he later regretted. In 1987, he starred in the family drama Over the Top as a struggling trucker who tries to make amends with his estranged son. These films did not do well at the box office and were poorly received by critics. It was around 1985 that Stallone was signed to a remake of the 1939 James Cagney classic Angels With Dirty Faces. The film would form part of his multi-picture deal with Cannon Films and was to co-star Christopher Reeve and be directed by Menahem Golan. The re-making of such a beloved classic was met with disapproval by Variety and horror by top critic Roger Ebert. Cannon opted to make Cobra instead. Cobra (1986) and the buddy cop action film Tango & Cash (1989), the latter alongside Kurt Russell, did solid business domestically and blockbuster business overseas, grossing over US$100 million in foreign markets and over US$160 million worldwide.

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  • In 1993, he made a comeback with the hit Cliffhanger, which was a success in the US, grossing US$84 million, but even more successful worldwide, grossing US$171 million. Later that year, he starred with Wesley Snipes in the futuristic action film Demolition Man, which grossed over US$158 million worldwide. His string of hits continued with 1994's The Specialist (over US$170 million worldwide gross). In 1995, he played the futuristic character Judge Dredd (from the British comic book 2000 AD) in the eponymous film Judge Dredd. His overseas box office appeal saved the domestic box office disappointment of Judge Dredd, which cost almost US$100 million and barely made its budget back, with a worldwide tally of US$113 million. Despite its performance, he signed a three-picture deal with Universal Pictures for $60 million, making him the second star after Jim Carrey to receive $20 million per film, however the deal expired in February 2000 without him making any films and therefore, received no payment. He later appeared in the thriller Assassins (1995) with Julianne Moore and Antonio Banderas and the following year he starred in the disaster film Daylight (1996).

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  • Eastwood is an audiophile and owns an extensive collection of LPs which he plays on a Rockport turntable. He has had a strong passion for music all his life, particularly jazz and country and western music. He dabbled in music early on by developing as a boogie-woogie pianist and had originally intended to pursue a career in music by studying for a music theory degree after graduating from high school. In late 1959 he produced the album Cowboy Favorites, released on the Cameo label, which included some classics such as Bob Wills's "San Antonio Rose" and Cole Porter's "Don't Fence Me In". Despite his attempts to plug the album by going on a tour, it never reached the Billboard Hot 100. In 1963, Cameo producer Kal Mann told him that "he would never make it big as a singer". Nevertheless, during the off season of filming Rawhide, Eastwood and Paul Brinegar – sometimes joined by Sheb Wooley – toured rodeos, state fairs, and festivals. In 1962, their act, entitled Amusement Business Cavalcade of Fairs, earned them as much as $15,000 a performance. Eastwood has his own Warner Bros. Records-distributed imprint, Malpaso Records, as part of his deal with Warner Brothers. This deal was unchanged when Warner Music Group was sold by Time Warner to private investors. Malpaso Records, which has released all of the scores of Eastwood's films from The Bridges of Madison County onward, has also released the album of a 1996 jazz concert he hosted, titled Eastwood after Hours – Live at Carnegie Hall.

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  • In early 2007, Eastwood was presented with the highest civilian distinction in France, Légion d'honneur, at a ceremony in Paris. French President Jacques Chirac told Eastwood that he embodied "the best of Hollywood." In October 2009, he was honored by the Lumière Award (in honor of the Lumière Brothers, inventors of the Cinematograph) during the first edition of the Lumière Film Festival in Lyon, France. This award honors his entire career and his major contribution to the 7th Art. In February 2010, Eastwood was recognized by President Barack Obama with an arts and humanities award. Obama described Eastwood's films as "essays in individuality, hard truths and the essence of what it means to be American."

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  • Stallone gained worldwide fame with his starring role in the smash hit Rocky (1976). On March 24, 1975, Stallone saw the Muhammad Ali–Chuck Wepner fight. That night Stallone went home, and after three days and 20 straight hours, he had written the script, but Stallone subsequently denied that Wepner provided any inspiration for it. Other possible inspirations for the film may have included Rocky Graziano's autobiography Somebody Up There Likes Me, and the movie of the same name. Wepner filed a lawsuit which was eventually settled with Stallone for an undisclosed amount. Stallone attempted to sell the script to multiple studios, with the intention of playing the lead role himself. Irwin Winkler and Robert Chartoff became interested and offered Stallone US$350,000 for the rights, but had their own casting ideas for the lead role, including Robert Redford and Burt Reynolds. Stallone refused to sell unless he played the lead character and eventually, after a substantial budget cut to compromise, it was agreed he could be the star.

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