Returning to the John Wick franchise, Reeves starred in John Wick: Chapter 3 – Parabellum (2019), the third feature in the series directed by Chad Stahelski. The film takes place immediately after the events of John Wick: Chapter 2 and features new cast members including Halle Berry. The film was another box office hit, grossing $171 million in the United States and more than $155 million internationally. The Globe and Mail's reviewer gave the film three out of four stars, praising the action choreography for not becoming boring, but felt there was "aesthetic overindulgence" with the cinematography. The Guardian's Cath Clarke questioned Reeves' acting–writing "he keeps his face statue-still", and added "three movies in, franchise bloat is beginning to set in". Reeves was nominated for Favorite Male Movie Star of 2019 in the People's Choice Awards, and the film itself was nominated for Best Contemporary Film in the Art Directors Guild Awards. Reeves had a cameo role in the Netflix original film Always Be My Maybe (2019), which he took on to highlight his Asian ancestry. He then voiced Duke Caboom in Toy Story 4 (2019), the fourth instalment of Pixar's Toy Story franchise. That same year, on April 27 and 28, a film festival was held in his honour, called KeanuCon, hosted in Glasgow, Scotland. Over two days, nine of his films were screened for guests.
In 2005, Reeves played the titular role in Constantine, an occult detective film, about a man who has the ability to perceive and communicate with half-angels and half-demons in their true form. The film was a respectable box office hit, grossing $230 million worldwide from a $100 million budget but attracted mixed-to-positive reviews. The Sydney Morning Herald's critic noted that "Constantine isn't bad, but it doesn't deserve any imposing adjectives. It's occasionally cheesy, sometimes enjoyable, intermittently scary, and constantly spiked with celestial blatherskite". He next appeared in Thumbsucker, which premiered at the Sundance Film Festival in 2005. A comedy adapted from the 1999 Walter Kirn novel of the same name, the story follows a boy with a thumb-sucking problem. Reeves and the rest of the cast garnered positive critical reviews, with The Washington Post describing it as "a gently stirring symphony about emotional transition filled with lovely musical passages and softly nuanced performances".
More InfoBy 2002, his professional music career had come to an end when Dogstar disbanded. The band had released two albums during their decade together; Our Little Visionary in 1996 and Happy Ending in 2000. Sometime afterwards, Reeves performed in the band Becky for a year, founded by Dogstar band-mate Rob Mailhouse, but quit in 2005, citing a lack of interest in a serious music career. After being absent from the screen in 2002, Reeves returned to The Matrix sequels in 2003 with The Matrix Reloaded and The Matrix Revolutions, released in May and November, respectively. Principal photography for both films was completed back-to-back, primarily at Fox Studios in Australia. The Matrix Reloaded garnered mostly favourable reviews; John Powers of LA Weekly praised the "dazzling pyrotechnics" but was critical of certain machine-like action scenes. Of Reeves' acting, Powers thought it was somewhat "wooden" but felt he has the ability to "exude a charmed aura". Andrew Walker, writing for London Evening Standard, praised the cinematography ("visually it gives full value as a virtuoso workout for your senses") but he was less taken by the film's "dime-store philosophy". The film grossed $739 million worldwide.
More InfoAfter this series of commercial failures, Reeves career rebounded in 2014. He played the titular role in the action thriller John Wick, directed by Chad Stahelski. In the first instalment of the John Wick franchise, Reeves plays a retired hitman seeking vengeance. He worked closely with the screenwriter to develop the story; "We all agreed on the potential of the project. I love the role, but you want the whole story, the whole ensemble to come to life", Reeves said. Filmed on location in the New York City area, the film was eventually released on October 24 in the United States. The Hollywood Reporter was impressed by the director's "confident, muscular action debut", and Reeves' "effortless" performance, which marked his return to the action genre. Jeannette Catsoulis of The New York Times praised Reeves' fight scenes and noted he is "always more comfortable in roles that demand cool over hot, attitude over emotion". John Wick proved to be a box office success, grossing $86 million worldwide. Next, Reeves starred in a smaller-scale horror feature, Knock Knock (2015), a remake of the 1977 film Death Game. Described as "over-the-top destruction" by the Toronto Star, Reeves plays a father, home alone, when two young women show up and start a game of cat and mouse. His other releases in 2015 were the documentaries Deep Web, about crime on the dark web, and Mifune: The Last Samurai, about the life of a Japanese actor (Toshiro Mifune) famous for playing samurai characters. He narrated both films.
More InfoBy 2002, his professional music career had come to an end when Dogstar disbanded. The band had released two albums during their decade together; Our Little Visionary in 1996 and Happy Ending in 2000. Sometime afterwards, Reeves performed in the band Becky for a year, founded by Dogstar band-mate Rob Mailhouse, but quit in 2005, citing a lack of interest in a serious music career. After being absent from the screen in 2002, Reeves returned to The Matrix sequels in 2003 with The Matrix Reloaded and The Matrix Revolutions, released in May and November, respectively. Principal photography for both films was completed back-to-back, primarily at Fox Studios in Australia. The Matrix Reloaded garnered mostly favourable reviews; John Powers of LA Weekly praised the "dazzling pyrotechnics" but was critical of certain machine-like action scenes. Of Reeves' acting, Powers thought it was somewhat "wooden" but felt he has the ability to "exude a charmed aura". Andrew Walker, writing for London Evening Standard, praised the cinematography ("visually it gives full value as a virtuoso workout for your senses") but he was less taken by the film's "dime-store philosophy". The film grossed $739 million worldwide.
More InfoIn 2013, Reeves starred in his own directorial debut, the martial arts film Man of Tai Chi. The film has multilingual dialogue and follows a young man drawn to an underground fight club, partially inspired by the life of Reeves' friend Tiger Chen. Principal photography took place in China and in Hong Kong. Reeves was also assisted by Yuen Woo-ping, the fight choreographer of The Matrix films. Man of Tai Chi premiered at the Beijing Film Festival and the Cannes Film Festival, and received praise from director John Woo. A wider, warm response followed suit; Bilge Ebiri of Vulture thought the fight sequences were "beautifully assembled", and Reeves showed restraint with the film editing to present the fighters' motion sequences. The Los Angeles Times wrote, "The brutally efficient shooting style Reeves employs to film master choreographer Yuen Woo-ping's breathtaking fights ... is refreshingly grounded and old-school kinetic", while Dave McGinn of The Globe and Mail called the film "ambitious but generic". At the box office, Man of Tai Chi was a commercial disappointment, grossing only $5.5 million worldwide from a budget of $25 million. Also in 2013, Reeves played Kai in the 3D fantasy 47 Ronin, a Japanese fable about a group of rogue samurai. The film premiered in Japan but failed to gain traction with audiences. Initial reviews were not positive, causing Universal Pictures to reduce advertising spending for the film elsewhere. 47 Ronin was a box office flop and was mostly poorly received.
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