Once Upon a Time in Hollywood

Who played Bruce Lee in karate kid 2?

Mike Moh, who played Lee, said he was conflicted at first: "Bruce in my mind was literally a god. ... Bruce didn't always have the most affection for stuntmen; he didn't respect all of them." He stated, "Tarantino loves Bruce Lee; he reveres him." Brad Pitt objected to an extended version of the fight, stating, "It's Bruce Lee, man!" according to stunt coordinator Robert Alonzo. According to Lee's friend and The Green Hornet stuntman Gene LeBell, Lee had a reputation for "kicking the shit out of the stuntmen. They couldn't convince him that he could go easy and it would still look great on film." Lee biographer Matthew Polly stated, "Bruce was very famous for being very considerate of the people below him on film sets, particularly the stuntmen. ... So in this scene, Bruce Lee is essentially calling out a stuntman and getting him fired because he's the big star."


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  • Tarantino told cinematographer Robert Richardson, "I want it to feel retro but I want it to be contemporary." Richardson shot in Kodak 35mm with Panavision cameras and lenses, in order to weave time periods. For Bounty Law they shot in black and white, and brief sequences in Super 8 and 16mm Ektachrome. In the film, Lancer was shot on a retrofitted Western Street backlot at Universal Studios, designed by Ling. Richardson crossed Lancer with Alias Smith and Jones for the retro-future look Tarantino wanted. The way they filmed Lancer was not possible in 1969, but Tarantino wanted his personal touch on it. Richardson said that filming the movie touched him personally, "The film speaks to all of us... We are all fragile beings with a limited time to achieve whatever it is we desire... that at any moment that place will shift... So take stock in life and have the courage to believe in yourself."

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  • In January 2018, DiCaprio signed on, taking a pay cut to collaborate with Tarantino again. Al Pacino was being considered for a role. On February 28, 2018, the film was titled Once Upon a Time in Hollywood, with Pitt cast in the role Cruise was also up for. DiCaprio and Pitt were each paid $10 million. In March 2018, Robbie, who had expressed interest in working with Tarantino, signed to co-star as Sharon Tate, while Zoë Bell confirmed she would appear. In April 2018, Jessica Lange was in talks to play Mary Alice Schwarzs, but dropped out and Brenda Vaccaro replaced her. In May 2018, Burt Reynolds, Tim Roth, Kurt Russell, and Michael Madsen joined the cast. Timothy Olyphant was also cast. In June 2018, Damian Lewis, Luke Perry, Emile Hirsch, Dakota Fanning, Clifton Collins Jr., Keith Jefferson, Nicholas Hammond, Pacino, and Scoot McNairy joined the cast. Spencer Garrett, James Remar, Brenda Vaccaro, and Mike Moh were announced in July. In August 2018, Damon Herriman as Charles Manson, and Lena Dunham, Austin Butler, Danny Strong, Rafał Zawierucha, Rumer Willis, Dreama Walker, and Margaret Qualley were cast.

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  • The film also garnered moral and theological praise. The Los Angeles Catholic Bishop Robert Barron praised the character of Cliff Booth as embodying the four cardinal virtues, while the theologian David Bentley Hart wrote that the film "exhibit[s] a genuine ethical pathos, one that actually brought tears to my eyes" for its portrayal of "cosmic justice." Specifically, Hart praised the revisionism when "Tarantino's version of the story unexpectedly veered away into some other, dreamlike, better world, where the monsters inadvertently passed through the wrong door and met the end they deserved" that "gave glorious expression to a perfectly righteous rage" in "some other order of reality, if only an imaginary one, where ethereal sweetness had survived and horror had perished."

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  • The scenes involving the Tate–Polanski house were not filmed at Cielo Drive, the winding street where the 3,200 square-foot house once stood. The original house was razed in 1994 and replaced with a mansion nearly six-times the size. Scenes involving the Tate-Polanski house were filmed at three different locations around Los Angeles: one for the interior scenes, one for the scenes showing the exterior of the old house, and a Universal City location for the many scenes depicting the iconic cul-de-sac driveway.

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  • Tarantino told cinematographer Robert Richardson, "I want it to feel retro but I want it to be contemporary." Richardson shot in Kodak 35mm with Panavision cameras and lenses, in order to weave time periods. For Bounty Law they shot in black and white, and brief sequences in Super 8 and 16mm Ektachrome. In the film, Lancer was shot on a retrofitted Western Street backlot at Universal Studios, designed by Ling. Richardson crossed Lancer with Alias Smith and Jones for the retro-future look Tarantino wanted. The way they filmed Lancer was not possible in 1969, but Tarantino wanted his personal touch on it. Richardson said that filming the movie touched him personally, "The film speaks to all of us... We are all fragile beings with a limited time to achieve whatever it is we desire... that at any moment that place will shift... So take stock in life and have the courage to believe in yourself."

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