In 1996, Moore became the highest-paid actress in film history when she received a then unprecedented $12.5 million to star in Striptease. A major critical and financial failure, it marked the beginning of a lengthy downturn in Moore's career. Following starring roles in The Scarlet Letter (1995), The Juror (1996) and G.I. Jane (1997), all of which were critical and commercial disappointments, marked the end of Moore's career as a leading lady in Hollywood. She has since appeared in supporting roles in such films as; The Hunchback of Notre Dame (1996), The Hunchback of Notre Dame II (2002), Charlie's Angels: Full Throttle (2003), Bobby (2006), Mr. Brooks (2007), Margin Call (2011), and Rough Night (2017). In 2019, Moore released a memoir titled Inside Out, which became a New York Times Best Seller.Moore has been married three times, to the musician Freddy Moore and the actors Bruce Willis and Ashton Kutcher. She has three daughters with Willis, including actress Rumer Willis.
Critics have considered Lopez's voice to be limited, and overshadowed by the production of her music, while remaining "radio-friendly". Rob Sheffield of Rolling Stone remarked: "Instead of strained vocal pyrotechnics, Lopez sticks to the understated R&B murmur of a round-the-way superstar who doesn't need to belt because she knows you're already paying attention [...] She makes a little va-va and a whole lot of voom go a long way." Meanwhile, AllMusic's Stephen Thomas Erlewine called her voice "slight" and wrote: "Lopez was never, ever about singing; she was about style". Entertainment Weekly criticized her vocal performance for lacking the trademark "husky-voiced voluptuousness" she has in her films. J. D. Considine of The Baltimore Sun regards Lopez as having a "breathy" stylistic range, but lacking personality.
More InfoUpon launching her music career in the late 1990s, Lopez contributed to the "Latin explosion" occurring in entertainment at the time. Writing for The Recording Academy, Brian Haack described her as the "breakout female star" of the Latin pop movement in American music. She was featured on the cover of the first issue of Latina magazine in 1996, with editor Galina Espinoza stating in 2011 that there is "no recounting of modern Latina history without Jennifer". Around the time her career began to burgeon, the emphasis on Lopez's curvaceous figure grew; scholar Sean Redmond wrote that this was a sign of her role and social power in the cultural changes occurring in the United States. In August 2005, Time listed Lopez as one of the most influential Hispanics in America, remarking: "Why? Because over a decade ago, she was an anonymous background dancer on the second-rated sketch-comedy show. Today she's known by two syllables." In February 2007, People en Español named her the most influential Hispanic entertainer. In 2014, scientists named a species of aquatic mite found in Puerto Rico, Litarachna lopezae, after Lopez.
More InfoAccording to author Ed Morales in The Latin Beat: The Rhythms And Roots Of Latin Music From Bossa Nova To Salsa And Beyond (2003), Lopez's music explores the "romantic innocence" of Latin music, while strongly identifying with hip hop. Her debut album On the 6 fuses the influence of Latin music with R&B and hip hop, which Lopez described as Latin soul. To the contrary, Morales described it as "state-of-the-art dance pop". Dee Lockett, writing for the Chicago Tribune, stated that songs such as "Waiting for Tonight" made Lopez "arguably the leading artist in the dance-pop movement at the time". While primarily sung in English, she speaks in Spanish and asserts her Latin heritage throughout the album, which is apparent in the song "Let's Get Loud". She has also recorded bilingual songs, including the Latin pop song "Cariño", for her second album J.Lo. A departure from her previous albums, This Is Me... Then blends 1970s soul with "streetwise" hip hop.
More InfoFollowing the September 11 attacks, Lopez was heavily involved in charitable activities. Joining various other artists, she was featured on charitable singles such as "What's Going On" and "El Ultimo Adios (The Last Goodbye)", which benefited people affected by the tragedy. One dollar from each ticket sold at Lopez and Anthony's co-headlining North American concert tour, which grossed an estimated $10 million, was donated to Run for Something Better—a charitable organization supporting physical fitness programs for children. In February 2007, Lopez was honored with the Artists for Amnesty prize by the human rights organisation Amnesty International, for her work in the film Bordertown, which shed light on the hundreds of feminicides in Ciudad Juárez. Lopez described it as "one of the world's most shocking and disturbing, underreported crimes against humanity."
More InfoLopez is an avid supporter of LGBT rights, and has raised millions of dollars for HIV/AIDS research. In June 2013, amfAR presented Lopez with its humanitarian award for her philanthropic work. That September, she was awarded the Ally for Equality award presented by the Human Rights Campaign, for her support of the LGBT community. The following year, she received the GLAAD Vanguard Award. In July 2016, Lopez released a single entitled "Love Make the World Go Round", a collaboration with Lin-Manuel Miranda, which benefits victims of the 2016 Orlando nightclub shooting. She was also featured on the song "Hands" along with numerous other artists, also benefiting those affected by the Orlando shooting. Among numerous other artists, Lopez signed an open letter from Billboard magazine to the United States Congress in 2016, which demanded action on gun control.
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