Goodbye Yellow Brick Road, released in October 1973, gained instant critical acclaim and topped the chart on both sides of the Atlantic, remaining at number one for two months. It also temporarily established John as a glam rock star. It contained the US number 1 "Bennie and the Jets", along with the hits "Goodbye Yellow Brick Road", "Candle in the Wind", "Saturday Night's Alright for Fighting" and "Funeral for a Friend/Love Lies Bleeding". Goodbye Yellow Brick Road is included in the VH1 Classic Albums series, in which the making, recording, and popularity of the album are discussed, with concert and home video footage, including interviews.
Backed by former Spencer Davis Group drummer Nigel Olsson and bassist Dee Murray, John's first American concert took place at the Troubadour in Los Angeles on 25 August 1970, and was a success. The concept album Tumbleweed Connection was released in October 1970 and reached number two in the UK and number five in the US. The live album 17-11-70 (titled 11–17–70 in the US) was recorded at a live show aired from A&R Studios on WABC-FM in New York City. Sales of the live album took a blow in the US when an east-coast bootlegger released the performance several weeks before the official album, including all 60 minutes of the aircast, not just the 40 minutes selected by Dick James Music.
More InfoJohn started playing his grandmother's piano as a young boy, and within a year his mother heard him picking out Winifred Atwell's "The Skater's Waltz" by ear. After performing at parties and family gatherings, at age 7 he began formal piano lessons. He showed musical aptitude at school, including the ability to compose melodies and gained some notoriety by playing like Jerry Lee Lewis at school functions. At age 11, he won a junior scholarship to the Royal Academy of Music. According to one of his instructors, John promptly played back, like a "gramophone record", a four-page piece by George Frideric Handel after hearing it for the first time.
More InfoThe 'Queensberry rules', the code of general rules in boxing, was named after John Douglas, 9th Marquess of Queensberry in 1867, and formed the basis of modern boxing. Snooker is another of the UK's popular sporting exports, with the world championships held annually in Sheffield. In Northern Ireland Gaelic football and hurling are popular team sports, both in terms of participation and spectating, and Irish expatriates in the UK and the US also play them. Shinty (or camanachd) is popular in the Scottish Highlands. Highland games are held in spring and summer in Scotland, celebrating Scottish and celtic culture and heritage, especially that of the Scottish Highlands.
More InfoThe team of John and Taupin joined Dick James's DJM Records as staff songwriters in 1968, and over the next two years wrote material for various artists, among them Roger Cook and Lulu. Taupin would write a batch of lyrics in under an hour and give it to John, who would write music for them in half an hour, disposing of the lyrics if he could not come up with anything quickly. For two years they wrote easy-listening tunes for James to peddle to singers. Their early output included a contender for the UK entry for the Eurovision Song Contest 1969, for Lulu, called "I Can't Go On (Living Without You)". It came sixth of six songs. In 1969, John provided piano for Roger Hodgson on his first released single, "Mr. Boyd" by Argosy, a quartet that was completed by Caleb Quaye and Nigel Olsson.
More InfoOn the advice of music publisher Steve Brown, John and Taupin began writing more complex songs for John to record for DJM. The first was the single "I've Been Loving You" (1968), produced by Caleb Quaye, Bluesology's former guitarist. In 1969, with Quaye, drummer Roger Pope, and bassist Tony Murray, John recorded another single, "Lady Samantha", and an album, Empty Sky. For their follow-up album, Elton John, John and Taupin enlisted Gus Dudgeon as producer and Paul Buckmaster as musical arranger. Elton John was released in April 1970 on DJM Records/Pye Records in the UK and Uni Records in the US, and established the formula for subsequent albums: gospel-chorded rockers and poignant ballads. The album's first single, "Border Song", peaked at 92 on the Billboard Hot 100. The second, "Your Song", reached number seven in the UK Singles Chart and number eight in the US, becoming John's first hit single as a singer. The album soon became his first hit album, reaching number four on the US Billboard 200 and number five on the UK Albums Chart.
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