When asked by Melody Maker in 1981 if rock stars should use their power to try to shape the world for the better, Mercury responded, "Leave that to the politicians. Certain people can do that kind of thing, but very few. John Lennon was one. Because of his status, he could do that kind of preaching and affect people's thoughts. But to do this you have to have a certain amount of intellect and magic together, and the John Lennons are few and far between. People with mere talent, like me, have not got the ability or power." Mercury dedicated a song to the former member of The Beatles. The "Life is Real (Song for Lennon)" is included in the 1982 album Hot Space. Mercury did occasionally express his concerns about the state of the world in his lyrics. His most notable "message" songs are "Under Pressure", "Is This the World We Created...?" (a song which Mercury and May performed at Live Aid, and also featured in Greenpeace – The Album), "There Must Be More to Life Than This", "The Miracle" (a song May called "one of Freddie’s most beautiful creations.. it’s all so optimistic about the miracles that are being found in the world, which is incredible when you think what he’s looking at" (Mercury had been diagnosed with HIV two years previous) with the one miracle "we're all waiting for" is "peace on Earth and an end to war") and "Innuendo".
During his career, Mercury's flamboyant stage performances sometimes led journalists to allude to his sexuality. Dave Dickson, reviewing Queen's performance at Wembley Arena in 1984 for Kerrang!, noted Mercury's "camp" addresses to the audience and even described him as a "posing, pouting, posturing tart". In 1992, John Marshall of Gay Times opined: "[Mercury] was a 'scene-queen,' not afraid to publicly express his gayness, but unwilling to analyse or justify his 'lifestyle' […] It was as if Freddie Mercury was saying to the world, 'I am what I am. So what?' And that in itself for some was a statement." In an article for AfterElton, Robert Urban said: "Mercury did not ally himself to 'political outness,' or to LGBT causes."
More InfoMercury never discussed his ethnic or religious background with journalists. The closest he came to doing so was in response to a question about his outlandish persona, he said, "that’s something inbred, it's a part of me. I will always walk around like a Persian popinjay", an oblique reference to his Indian Parsi background. Feeling a connection to Britain prior to arriving in England, the young Bulsara was heavily influenced by British fashion and music trends while growing up. According to his longtime assistant Peter Freestone, "if Freddie had his way, he would have been born aged 18 in Feltham." Harris states, "One of the things about Freddie was that he was very civilised and quite ‘English’. I’d go over to his flat near Shepherd's Bush in the afternoon, and he’d get out the fine china and the sugar lumps and we’d have a cup of tea."
More InfoAs a young boy in India, Mercury received formal piano training up to the age of nine. Later on, while living in London, he learned guitar. Much of the music he liked was guitar-oriented: his favourite artists at the time were the Who, the Beatles, Jimi Hendrix, David Bowie, and Led Zeppelin. He was often self-deprecating about his skills on both instruments and from the early 1980s began extensively using guest keyboardists. Most notably, he enlisted Fred Mandel (a Canadian musician who also worked for Pink Floyd, Elton John, and Supertramp) for his first solo project. From 1982 Mercury collaborated with Morgan Fisher (who performed with Queen in concert during the Hot Space leg), and from 1985 onward Mercury collaborated with Mike Moran (in the studio) and Spike Edney (in concert).
More InfoBy 1985, he began another long-term relationship with Irish-born hairdresser Jim Hutton (1949–2010), whom he referred to as his husband. Mercury described their relationship as one built on solace and understanding, and said that he "honestly couldn't ask for better". Hutton, who tested HIV-positive in 1990, lived with Mercury for the last seven years of his life, nursed him during his illness, and was present at his bedside when he died. Mercury wore a gold wedding band, given to him by Hutton in 1986, until the end of his life. He was cremated with it on. In his will, Mercury left his London home to Austin, rather than to Hutton, having told her, "You would have been my wife, and it would have been yours anyway." Hutton later relocated from London to the bungalow he and Mercury had built for themselves in Ireland.
More InfoOne of Mercury's most notable performances with Queen took place at Live Aid in 1985. Queen's performance at the event has since been voted by a group of music executives as the greatest live performance in the history of rock music. The results were aired on a television program called "The World's Greatest Gigs". Mercury's powerful, sustained note during the a cappella section came to be known as "The Note Heard Round the World". In reviewing Live Aid in 2005, one critic wrote, "Those who compile lists of Great Rock Frontmen and award the top spots to Mick Jagger, Robert Plant, etc. all are guilty of a terrible oversight. Freddie, as evidenced by his Dionysian Live Aid performance, was easily the most godlike of them all." Queen roadie Peter Hince states, "It wasn’t just about his voice but the way he commanded the stage. For him it was all about interacting with the audience and knowing how to get them on his side. And he gave everything in every show."
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