Eastwood made his only foray into TV direction with the Amazing Stories episode Vanessa in the Garden (1985), which starred Harvey Keitel and Locke as a married couple. This was his first collaboration with Steven Spielberg, who later co-produced Flags of Our Fathers and Letters from Iwo Jima. He would revisit the Western genre when he directed and starred in Pale Rider (1985), a film based on the classic western Shane (1953) and follows a preacher descending from the mists of the Sierras to side with the miners during the California Gold Rush of 1850. The title is a reference to the Four Horsemen of the Apocalypse, as the rider of the pale horse is Death, and shows similarities to Eastwood's western High Plains Drifter (1973) in its themes of morality and justice as well as its exploration of the supernatural. It was hailed as one of the best films of 1985 and the best western to appear for a considerable period, with Gene Siskel of the Chicago Tribune remarking, "This year (1985) will go down in film history as the moment Clint Eastwood finally earned respect as an artist".
Stardom brought Eastwood more roles. He signed to star in the American revisionist western Hang 'Em High (1968) alongside Inger Stevens, Pat Hingle, Dennis Hopper, Ed Begley, Alan Hale, Jr., Ben Johnson, Bruce Dern, and James MacArthur, playing a man who takes up a Marshal's badge and seeks revenge as a lawman after being lynched by vigilantes and left for dead. The film earned Eastwood $400,000 and 25% of its net box office. Using money earned from the Dollars trilogy, Eastwood's advisor Irving Leonard helped establish Eastwood's own production company, Malpaso Productions, named after Malpaso Creek on Eastwood's property in Monterey County, California. The 38-year-old actor was still relatively unknown as late as a month prior to the film's release, as evidenced by a July 1968 news item by syndicated columnist Dorothy Manners: "The proverbial man in the street is still asking, 'Who's Clint Eastwood?'" Leonard arranged for Hang 'Em High to be a joint production with United Artists; when it opened in August 1968, it had the largest opening weekend in United Artists' history. Hang 'Em High was widely praised by critics, including Archer Winsten of the New York Post, who called it "a western of quality, courage, danger and excitement."
More InfoTightrope (1984) had Eastwood starring opposite Geneviève Bujold in a provocative thriller, inspired by newspaper articles about an elusive Bay Area rapist. Set in New Orleans to avoid confusion with the Dirty Harry films, Eastwood played a divorced cop drawn into his target's tortured psychology and fascination for sadomasochism. Tightrope was a critical and commercial hit and became the fourth highest-grossing R-rated film of 1984. Eastwood next starred in the crime comedy City Heat (also 1984) alongside Burt Reynolds, a film about an ex-cop turned private eye and his former police lieutenant partner who get mixed up with gangsters in the Prohibition era of the 1930s. The film grossed around $50 million domestically, but was overshadowed by Eddie Murphy's Beverly Hills Cop.
More InfoEastwood directed and played the title role in Bronco Billy (1980), alongside Locke, Scatman Crothers, and Sam Bottoms. Eastwood has cited Bronco Billy as being one of the most relaxed shoots of his career and biographer Richard Schickel argued that Bronco Billy is Eastwood's most self-referential character. The film was a commercial disappointment, but was liked by critics. Janet Maslin of The New York Times wrote that film was "the best and funniest Clint Eastwood movie in quite a while", and praised Eastwood's directing, intricately juxtaposing the old West and the new West. Released later in 1980, Any Which Way You Can, was the sequel to Every Which Way but Loose and also starring Eastwood. The film received a number of bad reviews from critics, although Maslin described it as "funnier and even better than its predecessor". In theaters over the Christmas season, Any Which Way You Can was a major box office success and ranked among the top five highest-grossing films of the year.
More InfoEastwood's next film The Eiger Sanction (1975) was based on Trevanian's critically acclaimed spy novel of the same name. Eastwood plays Jonathan Hemlock in a role originally intended for Paul Newman, an assassin turned college art professor who decides to return to his former profession for one last "sanction" in return for a rare Pissarro painting. In the process he must climb the north face of the Eiger in Switzerland under perilous conditions. Mike Hoover taught Eastwood how to climb during several weeks of preparation at Yosemite in the summer of 1974 before filming commenced in Grindelwald, Switzerland on August 12, 1974. Despite prior warnings about the perils of the Eiger the film crew suffered a number of accidents, including one fatality. Despite the danger, Eastwood insisted on doing all his own climbing and stunts. Upon release in May 1975 The Eiger Sanction was marginally successful commercially, receiving $14.2 million at the box-office, and gained mixed reviews. Joy Gould Boyum of The Wall Street Journal dismissed the film as "brutal fantasy". Eastwood blamed Universal Studios for the film's poor promotion and turned his back on them to make an agreement with Warner Brothers, through Frank Wells, that has lasted to the present day.
More InfoFollowing Sean Connery's announcement that he would not play James Bond again, Eastwood was offered the role but turned it down because he believed the character should be played by an English actor. He next starred in the loner Western Joe Kidd (1972), based on a character inspired by Reies Lopez Tijerina, who stormed a courthouse in Tierra Amarilla, New Mexico in June 1967. During filming, Eastwood suffered symptoms of a bronchial infection and several panic attacks. Joe Kidd received a mixed reception, with Roger Greenspun of The New York Times writing that it was unremarkable, with foolish symbolism and sloppy editing, although he praised Eastwood's performance.
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