Graham, who was serving as an assistant police chief in neighboring Fulton County at the time of the murders, said his decision to reopen the cases was driven solely by his belief in Williams's innocence. Former DeKalb County Sheriff Sidney Dorsey, who was an Atlanta homicide detective at the time, also said he believed Williams was wrongly blamed for the murders. "If they arrested a white guy," he said, "there would have been riots across the U.S.." Dorsey is serving a life sentence after being convicted of ordering the murder of his election opponent Derwin Brown.
The next night, the same four, along with Leslie Van Houten, Manson, and Steve Grogan, drove to Leno and Rosemary LaBianca's house, murdering the couple. Afterwards, Manson directed Kasabian to drive to an apartment complex to commit more murders. Once there, Manson left in the car alone, leaving the others to hitchhike back to Spahn Ranch. In the film, it is Kasabian who drives off, deserting others. Watson says they can hitchhike back. Grogan was convicted of the murder of stuntman Donald "Shorty" Shea on Spahn Ranch, whom he repeatedly beat with a lead pipe. In the film, Grogan is instead beaten by a stuntman, Booth.
More InfoHowever, according to members of the Family, the murders were not committed to start Helter Skelter but as copycat murders of Gary Hinman, to convince police his killer was still at large. Bobby Beausoleil was in jail, charged with the murder. The Family was attempting to get him released. According to Jay Sebring's protege and business partner Jim Markham, the murders were about a drug deal gone bad, not a race war. He believes Manson was at Tate's house the day before the murders to sell drugs to Sebring and Voytek Frykowski, which resulted in the two beating Manson up. In his interview with Truman Capote, Beausoleil said, "They burned people on dope deals. Sharon Tate and that gang."
More InfoIn the United States and Canada, the film was projected to gross $30–40 million from 3,659 theaters in its opening weekend, with some projections having it as high as $50 million or as low as $25 million. The week of its release, Fandango reported the film was the highest pre-seller of any Tarantino film. The film made $16.9 million on its first day, including $5.8 million from Thursday night previews (the highest total of Tarantino's career). It went on to debut to $41.1 million, finishing second behind holdover The Lion King and marking Tarantino's largest opening. Comscore reported that 47% of audience members went to see the film because of who the director was (compared to the typical 7%) and 37% went because of the cast (compared to normally 18%). The film grossed $20 million in its second weekend, representing a "nice" drop of just 51% and finishing third, and then made $11.6 million and $7.6 million the subsequent weekends. In its fourth weekend the film made $5 million, bringing its running domestic total to $123.1 million, becoming the second-highest of Tarantino's career behind Django Unchained. In its ninth weekend, its global total earnings reached $329.4 million, surpassing Inglourious Basterds to become Tarantino's second-highest global grosser behind Django Unchained.
More InfoThe Hollywood Reporter said critics had "an overall positive view," with some calling it "Tarantino's love letter to '60s L.A.," praising its cast and setting, while others were "divided on its ending." ReelViews' James Berardinelli awarded the film 3.5 stars out of 4, saying it was "made by a movie-lover for movie-lovers. And even those who don't qualify may still enjoy the hell out of it." RogerEbert.com's Brian Tallerico gave it four out of four stars, calling it "layered and ambitious, the product of a confident filmmaker working with collaborators completely in tune with his vision". The Chicago Sun-Times, Richard Roeper described it as "a brilliant and sometimes outrageously fantastic mash-up of real-life events and characters with pure fiction," giving it full marks. Writing for Variety, Owen Gleiberman called it a "heady engrossing collage of a film—but not, in the end, a masterpiece." Peter Bradshaw of The Guardian gave it five out of five stars, praising Pitt and DiCaprio's performances and calling it "Tarantino's dazzling LA redemption song." Steve Pond of TheWrap said: "Big, brash, ridiculous, too long, and in the end invigorating, the film is a grand playground for its director to fetishize old pop culture and bring his gleeful perversity to the craft of moviemaking." Peter Travers of Rolling Stone awarded the film 4.5 out of 5 stars, remarking that "All the actors, in roles large and small, bring their A games to the film. Two hours and 40 minutes can feel long for some. I wouldn't change a frame."
More InfoCharles Manson was convicted of the murders of Tate and four others, despite not being present, due mostly to a theory stating he was trying to instigate an apocalyptic race war, in the end leaving only black Muslims and the Manson Family. The black Muslims would eventually look to Manson to lead them. According to some, Manson referred to the race war as Helter Skelter, getting the name from the song of the same name. Musician and filmmaker Boots Riley criticized the film for not portraying Helter Skelter or depicting the Family as white supremacists.
More InfoWe don't show ads. Help us keep it that way.